CINE 318S
History of Sound in Cinema
Franklin D. Cason
Description from DukeHub
Examination of historical and contemporary debates surrounding the underrated impact of sound in film and various media formats. Exploration of how artists, scholars, and theorists challenge the conventional assumptions about the relationship between of image and sound, and the normalized separation of elements that privilege visual over sonic experience. Analysis of the political, aesthetic, philosophical, and theoretical implications of sound in film and media, and the impact of stylistic approaches to sound design and innovation.
Skills
No skill passed the confidence bar. Weak matches go to review instead of this page: an AI pass that has to quote the description, then a person.
AI-resilient: 1 of 5
- No: Physical, lab or field work
- No: Live work with people
- No: Judgment someone is accountable for
- No: A craft you practice with your hands or body
- Yes: Small, in-person format · seminar, 12 seats per section
The checks lean on Microsoft Research, Working with AI (2025), which found generative AI applies least to physical work and hands-on work with people. A signal, not a promise. How the score works
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