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Courses / Graduate School / CINE

CINE 718S · also DOCST 718S, THEATRST 718S, VMS 718S

History of Sound in Cinema

Franklin D. Cason

Description from DukeHub

Examination of historical and contemporary debates on the impact of sound in film and various media. Exploration of how artists, scholars, and theorists challenge conventional assumptions about the relationship between image and sound, and the normalized separation of elements that privilege visual over sonic experience. Analysis of sound's political, aesthetic, philosophical, and theoretical implications, and the impact of stylistic approaches to sound design and innovation. Graduate-level students are expected to delve deeper into sound's scholarly and conceptual aspects through original research.

Skills

No skill passed the confidence bar. Weak matches go to review instead of this page: an AI pass that has to quote the description, then a person.

AI-resilient: 1 of 5

  • No: Physical, lab or field work
  • No: Live work with people
  • No: Judgment someone is accountable for
  • No: A craft you practice with your hands or body
  • Yes: Small, in-person format · seminar, 6 seats per section

The checks lean on Microsoft Research, Working with AI (2025), which found generative AI applies least to physical work and hands-on work with people. A signal, not a promise. How the score works

More in CINE

All CINE courses · All of Graduate School